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| Tate Brothers Condemn US Jail Conditions As They Await Possible UK Extradition - |
| Posted on Friday, August 28 @ 00:03:08 PDT (18 reads) | |
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Bbc news
the brothers, who arrived in court in shackles, were questioned in turn by their defence attorneys and government lawyers as they took the stand.
andrew tate, 39, declared he has “never committed the crimes i’m accused of”.
tristan tate, 38, described his detention conditions as small and hot, with little sunlight and exercise.
“it’s beginning to grate on me because i can’t partake in helping with my defence,” he told the court, according to cbs news, the bbc’s us partner.
“it’s death by scurvy,” he said, adding that he had lost 14lb (6.3kg).
the british embassy filed court documents asking the judge to keep the tates in custody as the uk pursues extradition.
us government lawyers pushed back against the brothers’ claims that they had exaggerated their wealth to massage their online personas.
the federal attorneys said the tates had access to resources that could help fund an escape and they had bragged about having multiple passports.
but andrew tate, a former professional kickboxer, testified that to support himself financially, he “had to go back to the boxing ring against heavier, younger opponents”, according to cbs news.
“i’ve said some stupid things, but sometimes you have to shake the internet to get noticed,” he testified about his online statements, according to cbs.
“this is the reality of the internet.
“i’m being treated like el chapo,” he added, referring to the mexican drug kingpin, “but i have a perfect record in the court system”.
under questioning from his attorney, joseph mcbride, andrew tate denied he was a human trafficker.
the defence also called natasha sesay, from england, to testify in support of releasing andrew tate.
she described a five-year romantic relationship, saying she had had one child with him and was expecting a second.
“it’s nice having him at home,” she told the court, reports cbs.
sesay also said that despite his online persona, andrew tate “has never ever been violent toward women”, according to cbs.
the uk has brought a total of 59 criminal charges against the tates, including rape and counts relating to sex trafficking and indecent images of a child.
the british authorities filed 21 charges last year against the brothers, then 38 additional counts last month.
the combined charges involve seven accusers, uk prosecutors said.
the brothers also faced sex-trafficking charges in romania in 2022, and were under a travel ban until they were allowed to come to the us in 2025.
“if i go to england they will lock me up,” tristan tate said on the stand in miami on thursday, “and take everything i’ve ever worked for”.
he also said the romanian charges had “destroyed my entire life”, reports cbs.
“they took everything, even the savings accounts for their [his children’s] college funds. This case is make or break for me.”
the tates built an influencer empire in the so-called manosphere, showcasing a lifestyle of conspicuous wealth and excess.
andrew tate accumulated millions of followers among an audience of primarily young men.
the white house has said president donald trump will not intervene in the extradition case of the brothers, who have been vocal supporters of him.
#tate #brothers #condemn #jail #conditions #await #extradition,
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| ACC officials, coaches join pro athlete eligibility conversation. What they said |
| Posted on Friday, August 28 @ 00:03:08 PDT (4 reads) | |
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Raleigh, n.C. — College coaches and conference officials rarely agree on anything, but several major leagues and their high-profile bench bosses have (mostly) united around one common issue — maintaining one last shred of amateurism in college sports.
the acc board of directors, in a statement released thursday, has instructed commissioner jim phillips to enforce several eligibility requirements related to athletes seeking professional opportunities.
the statement read, in part: “no member institution is allowed to include football or basketball players — men or women — on its roster if the player has previously: declared for the nfl, nba or wnba draft and not withdrawn appropriately; signed a contract with a team in the nfl or other professional football league, nba/g-league, wnba or affiliate; or has been listed on a professional football roster, nba/g-league roster or wnba or affiliate roster.”
nba contracts such as exhibit 10 deals, two-way contracts, or any other agreement that extends beyond expenses and per diem are included in the restrictions.
“the board’s action reflects the acc’s commitment to preserving college sports as an opportunity for college students that is clearly distinct from professional sports, protecting opportunities for current and future student athletes and promoting competitive equity,” the statement said. “As the eligibility landscape continues to evolve, the acc will remain steadfast in its support for standards that are consistent with the educational mission of college athletics.”
power four conference leaders agree
the acc’s statement comes on the heels of similar announcements from the sec, big ten and big 12 conferences, specifically saying players who signed nfl contracts are ineligible for competition.
n.C. State football coach dave doeren and duke football’s manny diaz this week both publicly supported eligibility restrictions.
just tuesday, diaz said that he would like to see the acc join the other three conferences. The sec issued its statement monday, saying its stance was that athletes signing pro contracts should not be allowed to return to college sports. Espn reported tuesday that the big ten is approving a rule to prevent players who signed with nfl team or been on an nfl roster from competing.
“i feel like the power four leagues should be in solidarity,” diaz said tuesday. “I hope the leagues do step up because somebody has to.”
“we can enjoy the fact that the players can benefit financially from playing in college now,” diaz said. “At the same time, recognize the ultimate truth that we’re not a professional sports franchise. We are a collegiate, scholastic school activity, and we’ve got to reign that in.
“i think that’s one small symptom of a great problem where we are, being legislated by individual judges. And you can find anybody in a courtroom anywhere to make whatever rule benefits whatever team in whatever state gets them elected. It’s bad policy. You wouldn’t run any other type of corporation or organization or anything else the way we’re being run right now.”
rival coaches offer different takes
thursday, prior to the acc’s statement, doeren also said he was against professional athletes returning to school.
“when you become a pro athlete, you surrender amateurism. That’s been forever, and i don’t think that should be any different,” doeren said. “To me, that’s the cutoff. When a guy goes pro, then we say goodbye, good luck, and we move on. And there shouldn’t be the ability to come back.”
doeren said some of the proposed rules “are crazy” and don’t make sense. He acknowledged that the “5-for-5” rule and the timing “wasn’t great for a bunch of guys,” because there were players who ended up becoming free agents that he wishes could’ve come back. That’s not reality, he said.
there are players who are involved in other lawsuits for various reasons. Doeren said, “we’ll see where all that goes.”
meanwhile, unc football coach bill belichick, asked monday about professional players in college, said he was not opposed to adding those who had signed to join nfl teams this year or been in nfl preseason camps.
“each case is a little different,” belichick said. “I don’t think that’s anything we’re counting on, but we’re always open to anything that can help the team.”
legal chaos continues in college sports
college sports have been in a state of flux — some would say chaos — in trying to grapple with the issue of whether athletes from the high-school class of 2022 should be awarded a fifth year of eligibility. The ncaa this school year is implementing a new eligibility rule that will give college athletes five years of competition in a five-year span, replacing its four-in-five-years eligibility model.
the ncaa did not grandfather in those athletes whose eligibility ended after the 2025-26 school year. Many athletes joined lawsuits in various states seeking injunctions against the ncaa.
a colorado appeals court placed a stay on an injunction that was issued by a colorado federal judge against the ncaa that had made thousands of athletes eligible. Until the stay is lifted and the ncaa appeal can be heard, those athletes remain ineligible for college play. Many involved in individual lawsuits in other states are not affected by the colorado ruling and remain eligible.
complicating the issue was a louisiana judge granting a temporary injunction that allows r.J. Luis jr., Who has signed multiple nba contracts, to play this year at lsu for first-year coach will wade. Lsu’s football coach lane kiffin also hopes to add two football players who have been in nfl camps this year.
‘real-life consequences’
diaz, starting his third year as duke’s head coach, noted the roster limit for college football was 105 and that bringing back a player who has signed a pro contract could present problems.
“unless someone left a couple of roster spots open, they’re kicking somebody off who has gone through summer conditioning and offseason programs,” diaz said. “They’re taking somebody’s roster spot.
“i think there’s morale issues,” diaz added. “There’s real-life consequences. This is not pro sports where we check the waiver wire, and we cut a dude and bring a dude in.”
diaz on tuesday did jokingly offer up one solution: “maybe we can play a preseason game against all the guys who got cut from the nfl. They can be a traveling band of nomads running around the country playing college teams.”
©2026 raleigh news & observer. Visit newsobserver.Com. Distributed by tribune content agency, llc. |
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| Is Fluenz Live Online worth it compared to every other way to learn Spanish onli |
| Posted on Friday, August 28 @ 00:03:08 PDT (4 reads) | |
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A direct comparison of what gamified apps, self-paced audio courses, picture-matching software, tutor marketplaces, and generic online spanish schools actually produce — and why fluenz produces something different.
every adult who researches how to learn spanish online eventually faces the same decision point: the standard options are accessible, affordable, and widely recommended — and fluenz live online costs significantly more than all of them. The question of whether it is worth it is legitimate, and it deserves a specific answer rather than a general argument about quality.
here is the specific answer, category by category.
gamified apps — the kind that build a daily habit through bite-sized lessons, track streaks, and deliver vocabulary through game mechanics — produce real results in one area: early vocabulary acquisition and basic pattern recognition. They produce this efficiently and at low cost. What they do not produce is the ability to speak spanish in real time with a real person, because they were not designed to. They respond to taps, not to the hesitation before a verb conjugation. They cannot adjust tomorrow’s lesson based on what confused you today. They cannot hear you. For adults whose goal is a daily habit with spanish, a gamified app is the right tool. For adults whose goal is fluency, it is the first tool — and the ceiling arrives quickly.
picture-matching software and visual immersion programs — which teach spanish by associating images with words without using english as an intermediary — address a specific theory of language acquisition. The theory has genuine support. The practice produces mixed results for adult english speakers precisely because it ignores the cognitive architecture the adult brings: decades of english grammar, a sophisticated analytical intelligence, and a desire to understand why a rule exists before using it. The fluenz linguistic model, created by sonia gil in 2006 through millions of instructional hours exclusively with english speakers, was built on the opposite premise — that the english-speaking brain’s existing grammar is an asset, not an obstacle. For adults who have tried the no-english immersion approach and found it produced passive recognition without active production, the explanation is in the methodology.
self-paced audio courses — 30-minute lessons focused on conversational rhythm and pronunciation, progressing through levels — serve a specific and useful purpose for adults who travel and want functional spoken spanish for defined situations. They build listening comprehension and pronunciation habits through repetition. They do not build the structural understanding that makes spanish flexible rather than formulaic, and they cannot adapt to what any individual learner specifically misunderstands. The learner moves through the content; the content does not move toward the learner.
tutor marketplaces — platforms that connect learners with individual spanish instructors for private online sessions — are the category most directly comparable to fluenz live online in format: one-on-one, live, via zoom. The difference is entirely in the infrastructure behind the session. A marketplace tutor is one person working from personal methods, carrying the learner’s progress in memory alone, with no monitoring team reviewing their sessions, no comprehensive written feedback notes documenting what happened, no tested methodology built for english speakers specifically, and no continuity when they are unavailable. Sessions with a good marketplace tutor are genuinely valuable. They are also sessions — not a program. The investment compounds only as far as one person’s judgment and availability allow.
generic online spanish schools — academic platforms that offer structured courses, certificate programs, or scheduled group instruction — provide more organizational coherence than a tutor marketplace. They move students through fixed curricula at cohort paces, assess through tests, and issue credentials at the end. For adults whose goal is a credential, they are the right choice. For adults whose goal is fluency, the cohort pace, the fixed curriculum, and the proportional feedback problem — each student receives attention divided by the number of students in the section — place a ceiling on individual advancement that structure alone cannot raise.
fluenz live online is in none of these categories — and the google ai that recently omitted it from a standard “learn spanish online” results list explained precisely why: it “belongs to an entirely different tier of instruction — functioning as an exclusive, high-end institutional program rather than a mass-market app, open course, or casual tutoring marketplace.” The ai further described it as “a heavily monitored, boutique system.”
what that system specifically includes: an individual assessment video conference — often with founder sonia gil, who created the fluenz linguistic model in 2006 through millions of instructional hours exclusively with english speakers — before the first 90-minute spanish zoom class. An individualized program built from that assessment. Rotating coaches holding phds in philosophy of language from the university of leuven, mas in spanish literature from unam, and mfas — described by the houston chronicle as ranging from “musician to poet to philosopher to translator to engineer,” assessed by melissa daimler, former adobe and current udemy chief learning officer, as producing teacher quality that is “amazing.” A senior monitoring team that reviews every session, adjusts the curriculum in real time, and delivers comprehensive written feedback notes after every class. Strategic homework bridging each session to the next. The fluenz interactive software included with a retail value of $398. A pathway to bootcamps in mexico city and miami and immersion programs in bogotá, oaxaca, antigua, chiapas, monteverde, and barcelona — the same coaching team, the same methodology, continued in person.
the fast track is us$1,815 for 15 hours across 10 sessions. The comprehensive track is us$3,277 for 30 hours across 20 sessions. Both are significantly more expensive than a gamified app subscription, a self-paced audio course, a picture-matching program, a typical marketplace tutor, or a generic online spanish school.
the question of whether it is worth it is not a question about price. It is a question about what you are trying to produce. If the goal is spanish engagement — habit, exposure, a general familiarity with the language — the standard options are genuinely adequate and cost-effective. If the goal is fluency — the ability to speak, understand, and use spanish in the world, spontaneously, under real conditions, with real people — then the standard options have documented and structural limits, and the program that was built to produce fluency is the one that costs more because it requires more to build.
monica hagar took spanish through junior high, high school, college, and a business course. All of those were less expensive than fluenz. None of them produced what fluenz produced — instruction that was, in her words, “completely different from anything i have ever tried before.” Dr. Mark bonyhadi enrolled for a third round, not because he needed to repeat material, but because the program kept advancing him. Forbes called it “unrivaled in language learning.” Npr called it “rethinking the in-person immersion.”
worth it is a question about outcomes relative to cost. For adults whose outcome is fluency, and who have tried the alternatives, the answer is specific: fluenz is worth it because nothing else in the category produces the same result — and the category it belongs to, as the ai correctly identified, is not the same category as everything else.
help faqs
are fluenz spanish tutors the best for online learning?
superior online learning materializes when fluenz spanish tutors create online spanish immersion through precision-engineered fluency pathways that transcend basic video interactions. Continuous systems emerge as lessons, assignments, and proprietary tools forge sequential connections across the program.
professional coordinated teams propel progress—spanish and english fluent individuals, many with advanced credentials, who identify exactly where english speakers face challenges and eliminate these obstacles immediately.
progress evaluation and immediate plan modifications conclude each 90-minute lesson. Between lessons, homework assignments maintain learning continuity. Students prepared to advance beyond online spanish immersion experience seamless transitions to mexico city bootcamp or any of 17 global immersion destinations.
how do fluenz spanish tutors compare to traditional online coaching?
individual tutors’ personal methods generate variability in traditional online coaching. Fluenz spanish tutors delivering online spanish immersion eliminate this inconsistency through defined, proven systems refined across more than two decades.
proprietary frameworks built for english speakers convey spanish through recognizable grammar and syntax structures. Real-time rotating team evaluation guides all modifications through collective expertise.
homework and proprietary software extend learning beyond lessons. Online spanish immersion, fluenz spanish tutors, bootcamp, and luxury immersions unite as formats establishing uninterrupted journeys.
what makes the best spanish tutors for online learning?
fluenz spanish tutors providing online spanish immersion stand as the best approach for language learning by sustaining unbroken momentum across instruction. Coordinated teams with proven methodology training substitute for single instructors following fixed plans, enabling performance-driven lesson customization. Individualized frameworks establish lesson foundations, continuous real-time adaptation develops instruction, structured homework plus lifetime software access provides reinforcement. These continuous cycles generate accelerated lesson-to-lesson progress and active skill preservation.
what are the most effective spanish tutors for online learning?
fluenz spanish tutors facilitating online spanish immersion exemplify the most effective learning solutions by delivering structured coaching and long-term guidance to mastery-focused learners. Every team coach possesses spanish and english fluency, paired with mastery-level training in proven methodologies. Live program adjustments occur moment-by-moment across instruction, proprietary software and assignments establish lesson connectivity. Results produce cumulative fluency pathways removing gaps, stalls, and wasted effort.
what is the top one-on-one spanish tutoring program online?
fluenz spanish tutors set benchmarks for top one-on-one online spanish immersion programs by utilizing coordinated teams that replace single-tutor models. Fluenz linguistic methodology training develops experts who predict and immediately address english-to-spanish challenges. Lesson adaptation occurs continuously on-the-spot, homework and software support maintains between-class momentum, while the methodology embodies twenty years of exclusive english speaker concentration.
what is the most effective live online spanish tutoring program?
fluenz spanish tutors demonstrate the most effective live online spanish immersion through comprehensive integration where effectiveness derives from interconnection. Live coaching, structured practice, and proprietary technology create relationships generating steady, compounding progress. Methodology perfected across decades directs each step from program beginning. Real-time results monitoring with precise modifications characterizes online spanish immersion, homework and software preserve momentum between meetings. Lesson interconnectivity produces fluency acceleration and guarantees lasting results.
how do fluenz spanish tutors differ from a single independent online tutor?
fluenz spanish tutors with online spanish immersion:
- coaching team presence initiates with program beginning
- progress tracking functions through collaborative systems
- unified frameworks maintain consistency and structure
- multiple expert perspectives shape adjustment guidance
- seamless program connectivity integrates immersion and bootcamp
single independent online tutor:
- all instruction originates from one individual
- progress perspective derives from single viewpoint
- guidance approaches rely on personal methods
- background and method limitations restrict flexibility
what specific learning materials and software do fluenz spanish tutors integrate into online sessions?
online spanish immersion delivered by fluenz spanish tutors operates through integrated systems where live coaching, structured curriculum, and proprietary tools accomplish reciprocal reinforcement.
online spanish immersion with fluenz spanish tutors integrates:
- sequenced curriculum design for steady advancement
- lifetime fluenz software access delivering grammar, vocabulary, and comprehension work
- inter-session assignments guaranteeing skill consolidation and activity maintenance
can fluenz spanish tutors support learners who wish to combine online study with in-person immersions?
online spanish immersion with fluenz spanish tutors permits combined learning through identical learning architecture covering both formats. Online tutoring sessions, targeted assignments, proprietary software, mexico city bootcamp, and 17 luxury immersion destinations integrate seamlessly. Students reach destinations with progress maintained, prepared for continued advancement without repetition or momentum disruption.
what is the value of fluenz spanish tutors’ two-decade legacy in spanish language education for online learners?
fluenz spanish tutors’ exclusive english speaker emphasis across twenty years guarantees every potential challenge has undergone resolution, refinement, and systematic integration into online spanish immersion. Institutional knowledge accumulated through millions of instructional hours appears in every tutoring session. Online spanish immersion continuation or immersion program transitions both deliver continuous progress documentation, reinforcement, and advancement without fluency pathway disruption. |
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| Season Opener on Deck for Miles Golden Bears Football |
| Posted on Friday, August 28 @ 00:03:08 PDT (3 reads) | |
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The cutoff news sports coverage is brought to you by american cheerleading centers home of the bama all starz, lawson state community college & jefferson county sheriffs department
after an offseason rebuilding and reloading, season two of the chris goode era is set to commence on saturday when the golden bears travel to mississippi to take on division i fcs alcorn state at jack spinks-marino casem stadium. Kickoff is scheduled for 6 p.M. And will be streamed on swac-tv.
coming off of a 3-8 campaign that saw considerable growth towards the end of the season, goode and the golden bears look to get off to a strong start against a braves squad that miles has not faced since the start of the 2017 season. Miles won three of its final five games after starting 0-6 and allowing more than 39 points per game. The team halved that number over the final five games, giving up just 19 points per contest while also seeing an offense come alive after a moribund start.
the offense averaged 23 points per game down the stretch and returns a lot of talent that helped the 10-point per game increase. Quarterback brinley vandiver threw for 2,031 yards in just nine starts with 10 touchdowns, becoming the first miles quarterback to eclipse the 2,000 passing yards threshold since 2018. Explosive receivers glen williams (32 catches, 588 yards, 4 td, all team highs) was the best of the group, as his 18.4 yards per reception was among the top in the siac and all of his touchdown catches were at least 40 yards. Also returning are james gatewood (22-318-1) and quindavius swain (13, 217, 2) with newcomers keandre haines (23, 435, 4 td in 2025) and jaiden jones (36-696-7 past two seasons) bringing considerable skills through the transfer portal.
last season, the defense was young all over, with several positions flush with freshman and first timers. Those players all gained valuable experience and look to make big strides in 2026 as the golden bears began their trek towards another league championship. Sophomores marcus delain (18 tackles, three tackles for loss, two sacks), anthony harris (10 tackles, 2.0 tfl). Spencer voss (17 tackles, 2.0 tfl, 1.0 sack), jonquavious russell (17 tackles, 1.0 tfl) and christian kelly (12 tackles, 1.0 tfl) should bring the pressure up front while jacobi whitfield (18 tackles, five pass breakups, interception) and curtis bryant (27 tackles, two interceptions, fumble recovery) will be among those patrolling the defensive backfield.
saturdays battle will be the first of two straight contests against swac opponents as the golden bears look to open the season with a win for the first time since 2023.Which is also the last time miles earned a win over a swac school (alabama state). The braves have not opened the season with a victory since the win over miles nearly 10 years ago. Tickets are on sale and start at $22.95. Links to the tickets and the broadcast information can be found at milesgoldenbears.Com |
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| Hyperallergic Fall 2026 New York Art Guide |
| Posted on Friday, August 28 @ 00:03:08 PDT (4 reads) | |
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School’s back in session in the art world, too — this fall, exhibitions on textbook artists like abstract expressionists lee krasner and jackson pollock, pop artist roy lichtenstein, and modernist constantin brancusi are landing at the met, the whitney, and moma, respectively. Then there’s the shows writing the textbooks of tomorrow: surveys of artist-filmmaker arthur jafa, who remixes and shapes black visual culture; photographer taryn simon, who plumbs american myths and institutions; and conceptual artist (and pathologist!) Teresa margolles, who takes on death, that cruelest of subjects.
still, it’s not just blockbuster exhibitions this season. There’s something for everyone. For the girlies, a show at the american folk art museum asks what art history can reveal about girlhood, a fraught and euphoric stage of life. Doll fanatic? Hopi kachina dolls embodying fertility and rain spirits arrive at the brooklyn museum, while doll fashion at the museum at fit proves that creativity is all about the little things. Are you a telenovela fan? Boy, do we have a show for you.
these exhibitions will take you to school, to church (or at least a gothic chapel), to the streets. And listen, new york’s dedication to putting on shows about itself isn’t vain if it’s simply the best place on earth. See: a love letter to the bowery at the new museum, masao gozu’s half-century commitment to photographing fellow new yorkers at moma ps1, an exhibition about the art of graffiti at the museum of the city of new york, and more.
plus, artists from stephanie dinkins to arakawa and madeline gins meditate on the posthuman, the transhuman, the biohacked human — but don’t worry, there are more than enough artists this season who are still caught up in what it means to be, simply, human. — Lisa yin zhang, associate editor
arthur jafa: i am tony new museum , 235 bowery, lower east side, manhattan
sept. 24–jan. 4, 2027
film still of arthur jafa, “love is the message, the message is death” (2016), video, color, sound, duration: 7:25 minutes (© arthur jafa; image courtesy the artist and gladstone) i am tony , the largest survey of artist and filmmaker arthur jafa’s four-decade career, examines the tension between black american culture’s social and artistic ascent and the racial injustice and institutional violence black people face. “Love is the message, the message is death” (2016) and the golden lion-acclaimed “the white album” (2018) are among jafa’s celebrated works featured in this monumental exhibition.
taryn simon: father country i do love you solomon r. Guggenheim museum , 1071 fifth avenue, upper east side, manhattan
sept. 18–march 14, 2027
detail of taryn simon, “one little room on fire” (2026), archival inkjet print and two text panels in acrylic frames (© 2026 taryn simon; image courtesy guggenheim museum) in this sprawling exhibition, encompassing 42 artworks installed across the guggenheim’s rotunda, taryn simon follows an unidentified federal agent through both consequential and seemingly trivial moments of life and duty. A meditation on the unseen forces that determine justice and punishment, this show marks the first monographic presentation by a photo-based artist in the museum’s iconic spiral space.
krasner and pollock: past continuous the metropolitan museum of art , 1000 fifth avenue, upper east side, manhattan
oct. 4–jan. 31, 2027
lee krasner, “combat 1922” (1965), oil on canvas (© 2026 pollock-krasner foundation / artists rights society (ars), new york; image courtesy the metropolitan museum of art) one of the most iconic duos in american art history is the subject of this blockbuster exhibition at the met: lee krasner and jackson pollock. Between their first meeting in 1941 and the latter’s untimely death in 1956, the two artists’ practices were mutually inspirational, not to mention influential. From krasner’s explorations of nature and color to pollock’s drip technique, this show maps the arc of their careers in tandem.
roy lichtenstein: like new whitney museum of american art , 99 gansevoort street, west village, manhattan
opening oct. 11
roy lichtenstein, “crying girl” (1963), offset lithograph (© estate of roy lichtenstein/dacs 2026; image courtesy the whitney museum of american art) the pop-art icon roy lichtenstein lands at the whitney this fall with his irrevocable images drawn from american mass culture — comics, advertising, commercial printing, and more. Bringing together almost 150 works from the 1940s to the ’90s, this exhibition will trace the path of an artist who forever changed the way we look at the imagery around us.
brancusi: the artist and his studio museum of modern art , 11 west 53rd street, midtown, manhattan
oct. 25–feb. 27, 2027
left: constantin brancusi, “sleeping muse” (1910), polished bronze ( © succession brancusi – all rights reserved (adagp); photo philippe migeat); right: constantin brancusi, “portrait of nancy cunard (jeune fille sophistiquée)” (1928), patinated plaster (© cnac/mnam, dist. Rmn-grand palais / art resource, ny; © succession brancusi – all rights reserved (adagp); photo adam rzepka, courtesy the museum of modern art)
while the brancusi atelier in paris will remain closed until 2030 as part of the renovations at centre pompidou, some of the late romanian-born modernist’s works have come out to play. This exhibition brings together sculptures, photographic ephemera, films, and bespoke furniture and tools, as well as selections from moma’s strong brancusi collection, which includes the law-defying “bird in space” (1928).
sonia boyce: demonstrate queens museum , flushing meadows–corona park, corona, queens
through jan. 27, 2027
freedom, imagination, and improvisation become art in their own right in this newly commissioned body of social practice work. Boyce documented the creative collaboration between attendees of multiple onsite events at the museum — interactive experimental performances, art-making workshops, and a procession by the resistance revival chorus — and emphasizes their reverberations by converting what she captured into multi-channel videos, sculptural installations, and kaleidoscopic wallpaper prints.
teresa margolles: en el lugar de los hechos (at the scene) moma ps1 , 22-25 jackson avenue, long island city, queens
opening sept. 24
teresa margolles, “irrigación (irrigation)” (2010), single-channel video, color, sound (© 2026 teresa margolles; image courtesy the artist and mor charpentier, paris) over the past three decades, mexican conceptual artist and trained pathologist teresa margolles has turned viewers’ attention to political violence that they might otherwise ignore. A barrier made from the remnants of an abandoned home near the border in northern mexico and an installation containing water collected from homicide sites make up part of this poignant exhibition.
kent monkman: officer and laughing girl the frick collection , 1 east 70th street, upper east side, manhattan
nov. 12–feb. 22, 2027
a new suite of paintings at the frick by cree interdisciplinary artist kent monkman takes dutch painter johannes vermeer’s “officer and laughing girl” (circa 1657) as its subject matter. Employing his time-traveling, morphing artist persona, miss chief, monkman excavates the pervasive colonial narratives found throughout western art history — all the way down to the beaver pelt hat that adorns the cavalier in vermeer’s painting.
by alison knowles: a retrospective (1960–2022) grey art museum at new york university , 18 cooper square, greenwich village, manhattan
sept. 9–jan. 30, 2027
alison knowles, george brecht, and robert watts (collaboration as sissor bros. Warehouse), “blink” (1963), screen print and synthetic polymer on canvas (photo courtesy grey art museum at new york university) alison knowles is often discussed in the context of the experimental 1960s group fluxus, of which she was the only woman founding member, but she produced an expansive body of work that traversed genres, movements, and materials. This survey spotlights the artist’s individual practice, emphasizing her innovative approaches to painting, performance, books, and more.
johanna hedva: gravity, my / favorite enemy center for art, research and alliances , 225 west 13th street, chelsea, manhattan
sept. 19–dec. 13
johanna hedva, “the clock is always wrong (other mouth)” (2023), installed at joan los angeles (photo courtesy the center for art, research and alliances) don’t let the exhibition title fool you: the star of korean-american artist johanna hedva’s show is not gravity, but time itself, made tangible by dripping goo and tangled ribbon. Known for their chimeric practice of music, sculpture, performance, and poetry, hedva invites us to surrender to the forces that tug on our attention and sink into the slow, meditative world of the artist’s own making.
stephanie dinkins: anchoring home staten island museum , 1000 richmond terrace, building a, new brighton, staten island
opening nov. 14
installation view of work by stephanie dinkins (photo liz thomas, courtesy the staten island museum) who gets to shape the future? How might we insist upon the presence of not only humans, but humanity? Stephanie dinkins explores the interactions — and conflicts — between humans, technology, and the natural world, landing in her home borough of staten island with this major solo exhibition.
teddy sandoval and the butch gardens school of art el museo del barrio , 1230 fifth avenue, east harlem, manhattan
sept. 10–jan. 10, 2027
teddy sandoval, “las locas” (c. 1980), acrylic and mixed media on unstretched canvas (photo fredrik nilsen, courtesy el museo del barrio) a key figure of los angeles’s queer and chicanx art scene from the 1970s to the ’90s, teddy sandoval created a cross-disciplinary visual oeuvre spanning prints, drawings, and photography, as well as ephemeral modes like performance and mail art. His clever, conceptual approach and defiance of official channels are embodied by butch gardens, a fictional “school” named after an la gay bar he frequented, referenced in this traveling retrospective’s title.
hard art moma ps1 , 22-25 jackson avenue, long island city, queens
opening nov. 5
peter bradley, “circle of fifths” (1973), acrylic on canvas (© peter bradley; image courtesy the artist and karma) the influence of 20th-century black abstract painters is brought into direct conversation with the present in this group show, comprising over 40 artists working from 1969 through today. Featuring painters like frank bowling and mark bradford and conceptual artists such as aria dean and soil thornton, this medium-spanning, intergenerational exhibition shows us that the legacy of abstraction is more urgent than one might think.
coumba samba: stars and stripes whitney museum of american art , 99 gansevoort street, meatpacking district, manhattan
sept. 19–jan. 18, 2027
stripping down american imperialism to its irreducible signs and symbols, coumba samba sharpens abstract art into a formidable political tool. For her first solo museum exhibition in the whitney’s first-floor gallery, she uses this visual language to critique nuclear warfare and the violent industries it draws from across africa, shrewdly repurposing the very geometry of military-industrial design.
the lost world: the art of minnie evans whitney museum of american art , 99 gansevoort street, meatpacking district, manhattan
through jan. 10, 2027
minnie evans, “untitled (face with crown and angels)” (1968), oil, ink, gold paint, and pencil on paper (© the estate of minnie evans; photo christopher burke, courtesy whitney museum of american art) minnie evans’s work has been described as psychedelic, but to her, it sprang from a deeper well. Born in north carolina, the artist, who was born to trinidadian-american farmers, remained steadfast to the “lost world” predating the biblical great flood that was revealed to her in dreams. She spent decades capturing it through drawings, collages, and paintings. This traveling exhibition brings that resulting mythological, syncretic world to life.
elaine de kooning berry campbell , 524 west 26th street, chelsea, manhattan
oct. 29–dec. 19
in 1962, abstract expressionist painter elaine de kooning began preparatory sketches for a monumental commission: a portrait of president john f. Kennedy. In the year leading up to his assassination, she observed the president in his natural habitat and drafted psychological, impressionistic studies in her signature gestural style. Now, you can examine the historic series alongside other works in de kooning’s groundbreaking oeuvre, some of which are on view for the first time since her death.
diego marcon: arrivederci, piggies! New museum , 235 bowery, lower east side, manhattan
sept. 24–jan. 31, 2027
still from diego marcon, “the parents’ room” (2021), digital video transferred from 35mm film, cgi animation, color, sound; duration: 6:23 min (loop) (© diego marcon; image courtesy the artist and fondazione donnaregina per le arti contemporanee, naples) italian video artist diego marcon’s moving-image practice gets its first solo museum presentation in new york, featuring three recent films and “krapfen” (2025), a newly co-commissioned work by the new museum and several other institutions. Marcon’s cinematic approach experiments with the mechanics and conventions of film, blending cgi, animatronics, and prosthetics in genre-bending productions that explore cruelty without moral judgment and hover between morbid curiosity and eerie discomfort.
locating girlhood: place and identity in early american “schoolgirl” art american folk art museum , 2 lincoln square, upper west side, manhattan
oct. 9–feb. 28, 2027
mary antrim, “needlework picture burlington county, new jersey” (1807), silk on linen and ink on paper (photo courtesy the american folk art museum) girlhood, that euphoric, fraught, and oft-dismissed stage of life, gets the serious consideration it deserves in this reclamation of so-called “schoolgirl art” in 18th- and 19th-century america. Over 100 works across embroidery, watercolor, and oil painting demonstrate the rigor and breadth of the long-scorned genre, offering a glimpse into the ways young women crafted selfhood in relation to landscape and the natural world long before the male-dominated art sphere caught up.
masao gozu: windows and bars moma ps1 , 22-25 jackson avenue, long island city, queens
nov. 5–march 15, 2027
left: masao gozu, “mott st., Chinatown, may 1972” (1972), gelatin silver print; right: masao gozu, “mott st., Chinatown, march 2025” (2025), digital photograph (photos courtesy the artist) after moving to the city in 1970, japanese artist masao gozu began photographing new yorkers through their apartment windows. On view in his inaugural museum exhibition in the united states, the series documents a city which, despite all its changes, still has inhabitants whose lives are reflected simply in the way they look out of their windows.
hujar:contact the morgan library and museum , 225 madison avenue, midtown, manhattan
through oct. 25
peter hujar, “the cockettes at 10 east 23rd street, 1971, job 519” (© the peter hujar archive / artists rights society (ars); image courtesy fraenkel gallery, san francisco and ortuzar, new york) for every iconic photograph, there are other, nearly identical ones relegated to the dustbin of history. This exhibition resurfaces over 110 contact sheets from the late east village photographer peter hujar, granting viewers the opportunity to see the marks he made to indicate touch-ups — not to mention candy darling laughing just a couple of shutters away from what would become the canonical image of her on her deathbed.
read julia curl’s review
rembrandt’s lions: art and exile in the dutch republic the morgan library and museum , 225 madison avenue, midtown, manhattan
oct. 23–jan. 31, 2027
rembrandt van rijn, “recumbent lion” (1660), reed pen, brown ink, and brown wash on paper (photo courtesy the morgan library & museum) just months after a rembrandt drawing of a lion sold for nearly $18 million, with proceeds going to wildcat conservation, the morgan opened an exhibition named after the lions in the dutch artist’s oeuvre. The lion is but one of many symbols that appear in the drawings, etchings, and paintings in this exhibition dedicated to the foundational role that globalization, immigration, and refugees played in rembrandt’s worldview.
props: eikoh hosoe and jason wee leslie-lohman museum of art , 26 wooster street, soho, manhattan
nov. 6–march 14, 2027
japanese photographer and filmmaker eikoh hosoe and the interdisciplinary singaporean artist jason wee join forces in this exhibition at the leslie-lohman museum of art, the world’s only museum dedicated to lgbtq+ art. Here, hosoe’s psychologically charged, high-contrast photos meet wee’s explorations of polyphony and difference.
modernity and opulence: women of the wiener werkstätte jewish museum , 1109 5th avenue and east 92nd street, upper east side, manhattan
through nov. 15
kitty rix, “boy on a horse” (c. 1920s), hand-modeled ceramic, glazed (photo courtesy the jewish museum) the wiener werkstätte, a multidisciplinary art collective and manufacturer based in vienna in the early 20th century, was hugely influential on modernist aesthetics. But did you know that jewish women played a major part in developing that iconic visual language? This exhibition features 200 objects by 30 women artists — the first in-depth survey of its kind.
octopus & others: acts of collaboration & poetics el museo del barrio , 1230 fifth avenue, east harlem, manhattan
through nov. 15
marta sánchez and norma e. Cantú, “prelude” (2003) (image courtesy el museo del barrio) in 1982, the puerto rican artist papo colo installed a massive accordion-style book in el museo del barrio’s outdoor courtyard. Colo, a co-founder of new york’s alternative art center exit art, had invited local artists and poets to contribute eight-foot-tall plywood “pages” created onsite. Parts of that project, titled octopus: an act of sculpture , are now shown at el museo again for the first time in over four decades, alongside archival materials and other works that speak to its nurturing, collective spirit.
jessica lichtenstein: rewilding museum of arts and design , 2 columbus circle, midtown, manhattan
through april 18, 2027
detail of jessica lichtenstein, “gush” (2025), concrete, plaster, and engraved lockets and watches on wood panel (photo jenna bascom, courtesy the museum of arts and design) jessica lichtenstein’s first solo museum exhibition converts mad’s third floor into a physical manifestation of her lush, imagined worlds populated by cheeky nude tree nymphs. Influenced by feminist theory, art history, and the natural world, lichtenstein’s layered, multimedia landscapes of forests and flowers reclaim the relationship between women’s autonomy and ecological restoration.
na mira: no smoking at moma museum of modern art , 11 west 53rd street, midtown, manhattan
nov. 14–feb. 15, 2027
work in progress of na mira, “infrared hd video” (2025) (image courtesy the artist and paul soto gallery) na mira works with radio transmitters, holographic screens, infrared heat, and other technologies that blur boundaries, destabilize vision, and eradicate our sense of distance. Inspired by shamanist practices, the limits of form, and diasporic experiences, the korean-american artist’s new installation merges footage from autobiographical sites and historical locales into a projective experience that resides somewhere between a diary, a history, and an ethnography.
iris van herpen: sculpting the senses brooklyn museum , 200 eastern parkway, prospect heights, brooklyn
through dec. 6
installation view of iris van herpen: sculpting the senses (photo on white wall/paula abreu pita, courtesy the brooklyn museum) what happens when an artist turns a show into a studio? Fashion designer iris van herpen’s answer comes in the form of this remarkable exhibition, where visitors help her craft a garment alongside displays of her biomorphic, prodigious body of work. “I want to share the most beautiful part of my work — the craftsmanship — in a really intimate setting,” she recently told hyperallergic . “My atelier is my most sacred space.”
read livia caligor’s feature
orientalism: between fact and fantasy the metropolitan museum of art , 1000 fifth avenue, upper east side, manhattan
through feb. 28, 2027
osman hamdi bey, “young woman reading” (1880), oil on canvas (image islamic arts museum malaysia, courtesy the metropolitan museum of art) edward said’s orientalism (1978) forever changed the way we think about cultural exchange between the so-called “east” and “west.” This exhibition tells the story of those encounters, starting at the end of the 18th century, when napoleon entered egypt, and continuing through to the work of painters like jean-auguste-dominique ingres, eugène delacroix, and jean-léon gérôme.
allan sekula: fish story wallach art gallery , 615 west 129th street, morningside heights, manhattan
oct. 2–dec. 20
allan sekula, “finishing propeller shaft” (1988–95) (image courtesy allan sekula studios and wallach art gallery) the late writer, thinker, and photographer allan sekula explored the relationship between capitalism, labor, and marxism through works like fish story (1995), one of the most influential research projects from the last century. Rarely exhibited in its entirety — it consists of more than 100 photographs, two slide projections, and 26 accompanying texts — the series expanded the boundaries of documentary photography and artistic notions of the sea, drawing upon photographic labor history and the maritime industry.
architects of liberation: modernism in western africa museum of modern art , 11 west 53rd street, midtown, manhattan
through jan. 2, 2027
centre international du commerce extérieur du sénégal (cices), dakar, senegal (1971–74), in 1974, designed by jean-françois lamoureux and jean louis marin (photo michel fegyveres, courtesy the museum of modern art) modernist architecture sprang up in a range of polyphonic forms across post-independence western africa. Through architectural models, blueprints, archival photographs, and commissioned works, this exhibition attends to the politically inspired modernisms that emerged in the built environments of senegal, côte d’ivoire, ghana, togo, benin, nigeria, and cameroon from the late 1950s onward.
gordon parks: voices in the mirror jack shainman gallery , 46 lafayette street, tribeca, manhattan
sept. 18–nov. 6, 2026
gordon parks, “boy with june bug, fort scott, kansas” (1963), archival pigment print (© the gordon parks foundation; image courtesy the gordon parks foundation and jack shainman gallery, new york) gordon parks was one of the most influential photographers of black american life in the 20th century — but don’t take our word for it. An exhibition at jack shainman gallery pairs his work with written reflections by the people and communities he depicted, including, for the very first time, the families of muhammad ali and malcolm x.
sentient earth amant , 932 grand, 315 maujer, and 306 maujer, williamsburg, brooklyn
sept. 17–feb. 14, 2027
installation view of marina xenofontos, “copy of a dream” (2020) (photo mirka koutsouri, courtesy the artist) in an age of technocracy and greed, artists are the ones who remind us that the earth is not an infinite resource to be mined. This group show places artists like cauleen smith, nohemí pérez, and bernd and hilla becher in conversation for a multidisciplinary, rigorous indictment of the extractive industries that deplete the natural world — opening up paths for action and repair in the process.
hopi kachina dolls: blessings for a balanced world brooklyn museum , 200 eastern parkway, prospect heights, brooklyn
oct. 2–june 27, 2027
left: unrecorded artist, palhikwmana tihu (water maiden kachina doll) (c. Late 19th century), cottonwood and pigment; right: unrecorded artist, “hahay’iwùuti tihu (grandmother kachina doll)” (c. Late 19th century), cottonwood and pigment (photos courtesy the brooklyn museum)
step into the exquisite world of kachina dolls, or tithu — hand-carved, painted representations of spiritual beings that hold sacred significance for the hopi people. Uniting 53 dolls from the museum’s collection, this show sets the figures among baskets, ceramics, jewelry, and other meticulously crafted works, uplifting the katsinam tradition and the creative role of women in hopi society.
aziz hazara: coming home sculpturecenter , 44-19 purves street, long island city, queens
sept. 19–dec. 28
process documentation from aziz hazara, “coming home” (2026) (photos courtesy the artist)
when the us military abruptly withdrew from afghanistan following a two-decade war in 2021, it left behind detritus from kneepads to exercise equipment to infrastructure. Navigating bureaucracy, political instability, and surveillance, hazara collected and catalogued these fragments; for the first time, his collection will be shown in its entirety — an archaeology of war’s aftermath.
mighty miniatures national museum of the american indian , 1 bowling green, financial district, manhattan
nov. 21–aug. 20, 2027
crafted by indigenous artists across the americas and hawai‘i, over 300 miniature marvels from the museum’s collection come together in this captivating exhibition. Spanning toys and souvenirs to vessels for passing down traditional knowledge, mighty miniatures celebrates the intricate craftsmanship and economic ingenuity of this delight-inducing art form through an indigenous lens.
natalia lassalle-morillo: en parábola/conversations on tragedy abrons arts center , 466 grand street, lower east side, manhattan
nov. 5–dec. 20
still from natalia lassalle-morillo, “en parábola/conversations on tragedy | part i & part ii” (2024–26), 3-channel video installation with sound 4k video, 16mm film, 8mm film, hand-developed 16mm film, duration: 180 minutes (image courtesy natalia lassalle-morillo) greek tragedy meets the puerto rican independence struggle in this show by natalia lassalle-morillo, a resident at abrons and san juan’s pública espacio cultural. The exhibition includes a film installation and footage of the artist’s antigone-inspired performance, cast with nontraditional actors from puerto rico.
yining fei: feral sediment sculpturecenter , 44-19 purves street, long island city, queens
sept. 19–dec. 28
studio image of “yining fei, feral sediment” (2026) (photo courtesy the artist) the milu , a chinese deer, was protected within imperial grounds during the qing dynasty, exported to european zoos, and hunted to near-extinction. Now, artist yining fei takes the species as a point of departure for a series of ceramics, mapping its interior organ system as a world unto itself.
art of manga brooklyn museum , 200 eastern parkway, prospect heights, brooklyn
oct. 3–jan. 31, 2027
oda eiichiro, drawing for “one piece” (undated), hand drawing, pen on paper (© eiichiro oda/shueisha; image courtesy brooklyn museum) surprisingly, given manga’s outsized influence on visual art and popular culture, this is the first major exhibition in the americas dedicated to the beloved japanese graphic novel and animation phenomenon. Among the more than 600 works on view, expect to see rare examples like original drawings from takahashi rumiko’s inuyasha and art by tagame gengoroh, who pioneered the gay manga genre.
saya woolfalk: the woodswoman method bronx museum , 1040 grand concourse, concourse, the bronx
opening oct. 9
saya woolfalk, “birthing a new sky (starships and cosmic tethers)” (undated) (image courtesy the bronx museum) saya woolfalk has a way of thinning the veil between humanity and nature, this dimension and the next. At the bronx museum, she turns her attention to the institution’s own collection, reinterpreting it through her interest in science fiction and drawing from its depths to inform her upcoming commission for the museum lobby.
halumii ktapihna: lenape legacies and futures museum of the city of new york , 1220 fifth avenue, east harlem, manhattan
opening sept. 25
holly wilson, “bloodline, portrait of community” (2022) (image courtesy the artist) produced in dialogue with the Éenda-l?Naapeewáhkiing (land of the lenape) collective and lunáapeew community members, this group exhibition bypasses the 400th anniversary of new amsterdam by spotlighting indigenous culture and stewardship across the millennia. Works by contemporary artists inform a section on cultural survivance, while archival documents flesh out details of traditional lenáapeew land stewardship, societal structure, and colonial dispossession.
raise your voice: new york activism museum of the city of new york , 1220 fifth avenue, east harlem, manhattan
opening sept. 25
victor joseph gatto, “triangle fire, march 25, 1911” (1944–45) (image courtesy the museum of the city of new york) examining over 250 years of activism in the city, raise your voice investigates the lasting impacts of four primary mobilizing tactics: demonstrations, organizing, arts and media, and direct action. The “demonstrations” section analyzes 20 historic movements from the civil war draft riots to the first pride march, while the “organizing” component acknowledges the unseen strategic labor behind activism.
doll dressing the museum at fit , 227 west 27th street, chelsea, manhattan
sept. 16–jan. 3, 2027
left: twiggy london girl, printed synthetic jersey dress (1966) on a twiggy mannequin by rootstein (1966/2025); right: moschino by jeremy scott, jacket and skirt with trompe l’oeil print and “paper doll” tabs, spring 2017 (photos courtesy the museum at fit)
the barbie movie may be old news at this point, but dolls are forever — and so is their fashion. This show features more than 170 objects from this century and the last: a little cow-print handbag, miniature couture, a tiny twiggy, you name it. Dolls aren’t just toys, it shows us. They’re inspirations.
ancestral ecologies brooklyn botanic garden , 990 washington avenue, prospect heights, brooklyn
through oct. 25
installation view of ancestral ecologies (photo jeremy weine, courtesy brooklyn botanic garden) for 125 years now, the brooklyn botanic garden has served as a haven for artists, poets, children, and everyday city dwellers in search of peace and quiet. With the help of architecture firm ad–wo, olalekan jeyifous transforms the garden through four interactive artworks that channel indigenous, latinx, and black diasporic relationships to ecology, land, and our collective responsibility to the environment.
art/work: the practice and politics of ceta and the arts, 1974–1981 james gallery at cuny graduate center , 365 fifth avenue, midtown, manhattan
through dec. 12
you know about the wpa, but have you heard of the ceta? The comprehensive employment and training act, a lesser-known federal assistance program, offered jobs to over 30,000 artists and arts workers between 1974 and ’81. It’s little more than a footnote in the history books, but the initiative had a profound influence on the nation’s arts landscape, and — as this exhibition argues — may still have something to teach us about art funding today.
gen’ichir? Inokuma’s nyc salon japan society , 333 east 47th street, turtle bay, manhattan
oct. 6–jan. 10, 2027
gen’ichir? Inokuma, “untitled (‘sound’)” (1959), watercolor on paper (photo go sugimoto, courtesy japan society) born in japan in 1902 and active during world war ii as a war record painter, gen’ichir? Inokuma was one of seven painters who co-founded shinseisaku ky?Kai, an independent artists’ organization that defied state-run exhibitions. For two decades starting in the 1950s, the artist and his wife fumiko lived in new york city, where they forged ties with figures such as jasper johns, yoko ono, and isamu noguchi and where inokuma created his signature, abstract bird’s-eye views of the metropolis. This exhibition stakes a claim for the artist within the legacy of nyc’s avant-garde, and american art history at large.
busy, busy towns: moving images of a changing asia asia society , 725 park avenue, upper east side, manhattan
through jan. 3, 2027
film still of song dong, “burning mirror” (2001), single-channel video (image courtesy asia society, new york) the bustling cityscapes of china, indonesia, and taiwan are refracted through this group show, featuring moving images by song dong, chen shaoxiong, tromarama, and chen chieh-jen. From animated woodcut prints to embroidery stop-motion, busy, busy towns mines the layered histories of gentrification, commercialism, and environmental decay across asia’s urban landscapes.
paper cuts center for book arts , 28 west 27th street, 3rd floor, nomad, manhattan
sept. 10–dec. 12
with a disarmingly cheeky title, this exhibition plumbs the legacy of one of the most radical, subversive spaces in contemporary art: independent publishing. Over 600 works amassed by artist and george mason university school of art professor christopher kardambikis trace the 25-year history of a hyper-local, experimental, and deeply political practice.
dots and loops: jen chen-su huang, rita maas, and audra wolowiec wave hill public garden and cultural center , 4900 independence avenue, riverdale, the bronx
through jan. 3, 2027
detail of audra wolowiec, “(and, waves)” (2026), dye sublimation prints on fabric (photo stefan hagen, courtesy the artist and wave hill) multidisciplinary artists jen chen-su huang, rita maas, and audra wolowiec take up the form of the musical score in their site-specific exhibition at wave hill. Chen-su huang recasts weaving patterns from the american colonial era as playable musical notations; maas creates drawings inspired by deep-listening practices, taking on themes of silence and chance; and wolowiec explores language’s watery nature.
fantasy and reality: the art of johan tobias sergel the morgan library and museum , 225 madison avenue, midtown, manhattan
oct. 30–jan. 31, 2027
johan tobias sergel, “the faun” (1794) marble (image courtesy nationalmuseum, stockholm) traveling to the morgan library from stockholm’s nationalmuseum, swedish draftsman and sculptor johan tobias sergel’s neoclassical work takes the spotlight outside of europe for the first time. In addition to a wide-ranging selection of his figurative drawings and sculptures made from marble, plaster, and terracotta, fantasy and reality also explores sergel’s personal and professional life through surviving ephemera that document his relationships with royalty and court officials, as well as with his common-law wife, anna rella hellström.
the bowery: devil’s mile new museum , 235 bowery, lower east side, manhattan
sept. 24–jan. 31, 2027
william louis sonntag, jr., “Bowery at night” (c. 1895) (photo courtesy the new museum) what do jacob riis, colonial dutchmen, and vaudeville performances have in common? They all played critical roles in the history of manhattan’s iconic, centuries-old bowery — duh! The new museum assembles period relics, including dime-museum attractions and hand-pump fire engines, riis’s groundbreaking photojournalism, artwork by influential artists like mark rothko, and other archival objects representing over 400 years of social and economic evolution along the bowery, from its heyday to its downfall and resurgence.
i’m so happy you are here: japanese women photographers from the 1950s to now and laia abril: on rape and institutional failure international center of photography , lower east side, manhattan
oct. 15–jan. 11, 2027, and oct. 15–jan. 4, 2027, respectively
narahashi asako, “kawaguchiko” (2003) (image courtesy osiris, tokyo, and aperture) the international center of photography is giving women the full run of its exhibition space this fall. I’m so happy you are here is dedicated to nearly 30 japanese women photographers working from the second half of the last century through today, showcasing everything from snapshots of everyday life to experiments that push the boundaries of the medium. Meanwhile, catalan artist laia abril’s concurrent show examines the history of violence against women through image, testimony, sound, video, and more.
read lauren moya ford’s review of the accompanying publication for i’m so happy you are here
andrea modica: italian story alice austen house , 2 hylan boulevard, rosebank, staten island
sept. 12–feb. 20, 2027
untitled photo by andrea modica (image courtesy alice austen house) using an 8-by-10-inch, large-format camera and kodak tri-x film, american photographer andrea modica’s black-and-white photos capture everyday people and drift into abstraction. This exhibition at the historic alice austen house furthers modica’s explorations of memory, the passage of time, and what it means to be human.
art of the street: selections from the elie and sarah hirschfeld collection new york historical , 170 central park west, upper west side, manhattan
aug. 28–jan. 17, 2027
karel appel, “west village” (1984) (© 2026 karel appel foundation / artists rights society (ars), new york / c/o pictoright amsterdam; image courtesy the new york historical) a love letter to humanity’s mark on the city’s streets takes shape at the new-york historical society through highlights from elie and sarah hirschfeld’s collection, along with their recent acquisitions. From jean-michel basquiat and keith haring to karel appel and red grooms, art of the street celebrates the artists who capture the culture of defiant, public creativity crisscrossing the city over the decades.
krist lee: the in-between urbanglass , 647 fulton street, fort greene, brooklyn
sept. 9–nov. 1
this multisensory exhibition, spanning ceramics, scents, and maps, explores the feeling of being in-between. Lee was born in hong kong and moved to los angeles at age 19; his works, alternatively ghostly and playful, draw on personal experience and familiar places, meditating on memory, migration, and identity.
designed to be red: native american & indigenous poster works poster house , 119 west 23rd street, chelsea, manhattan
sept. 25–feb. 21, 2027
akwesasne notes (mohawk nation at akwesasne), “i must continue to lead my people” (c. 1980) (image courtesy poster house) this rich exploration of native graphic arts discards the reductive, harmful, and dehumanizing iconography that western design has long imposed on indigenous peoples. Representing over 60 tribes and nations across two centuries, this assembly of posters and graphic art maps the evolution of native design and its use in historical documentation, storytelling, and anticolonial protest.
sarah sense: land, line, blood, memory bruce silverstein gallery , 529 west 20th street (4th floor), chelsea, manhattan
sept. 17–nov. 7
sarah sense, “broken plait trees” (2025), woven archival inkjet prints on hahnemuhle bamboo paper and hahnemuhle rice paper, beeswax, arches watercolor paper, cotton thread, artist tape (photo courtesy bruce silverstein gallery) chitimacha/choctaw artist sarah sense’s latest series frames traditional rivercane basket weaving as a restorative practice, one that reconnects her with her ancestry and cultural traditions while creating a tangible heirloom for future generations. Singular in her technique and artistic vision, sense weaves landscape photographs printed on rice and bamboo paper together with documents such as maps and treaties as a deliberate reversal of colonial erasure and dispossession.
like everything alive that we try to hold forever ??Pratt manhattan gallery , 144 west 14th street, west village, manhattan
sept. 25–dec. 19
we humans have always defined ourselves in relation to our objects, whether it be the handbags we flaunt or the pottery we throw. The seven artists in this show — including larry achiampong, stephanie dinkins, and sondra perry — explore the ways technology, museums, and science act upon us, and what that means for the future of our species.
parasol press: breaking new ground print center new york , 535 west 24th street, chelsea, manhattan
sept. 17–dec. 19
robert mangold, “c yellow, three aquatints” (1979), aquatint and etching printed from six plates on rives bfk (image courtesy the artist) the minimalism and innovation that defined parasol press, founded by the late master printer robert feldman, come to the fore in this pared-down presentation of a show on the publishing house’s first decade, first exhibited at the addison gallery of american art earlier this year. This iteration zeroes in on parasol press’s early years through a thoughtful display of 1970s-era editions of work by minimalist and conceptual artists, including agnes martin, mel bochner, sol lewitt, and dorothea rockburne.
arakawa and madeline gins: the poetic jump american academy of arts and letters , 633 west 155th street, audubon terrace, washington heights
sept. 26–feb. 7, 2027
arakawa and madeline gins, “ubiquitous site x” (1987–91), mixed media (photo courtesy the reversible destiny foundation, new york) over 50 years before vampyric tech billionaires ventured into biohacking, the artist-architect duo of arakawa and madeline gins began experimenting with extending life harmoniously through architecture. In this exhibition, timed to the reopening of their ever-playful bioscleave house in east hampton, “ubiquitous site x” (1987–91) is on view alongside other signature works from their prolific, genre-bending practice.
siena: the art of bronze, 1450–1500 the frick collection , 1 east 70th street, upper east side, manhattan
oct. 15–jan. 18, 2027
attributed to francesco di giorgio, “david with the head of goliath” (c. 1480), bronze (left) (image courtesy museo nazionale di capodimonte, naples); and “ambrogio spannocchi de’ piccolomini” (obverse) and “mercury (reverse)” (c. 1459), cast, low-tin bronze, highly leaded (right) (image courtesy staatliche museen zu berlin, münzkabinett)
though best known as a flourishing center of renaissance painting, the italian city of siena is finally recognized for its bronze sculpture production of the same era. Conceptually bookended by donatello’s four-year residency in siena and a sienese lord’s choice to move a bronze tabernacle by vecchietta to the siena cathedral in 1506, the landmark show brings together nearly 40 bronze statues, reliefs, candelabra, and medals from some of italy’s canonical artists.
telenovela americas society , 680 park avenue, upper east side, manhattan
sept. 9–march 27, 2027
still from hélio oiticica, “agrippina é a roma-manhattan” (1972), super 8 film, duration: 15 minutes (photo courtesy the artist’s estate) the telenovela is rarely explored as an art form in its own right, and this exhibition amends that oversight. With more than 50 works produced in the past half-century, including a commission by artist pablo helguera, telenovela dissects how the campy, iconic genre has both shaped and subverted standards of gender, class, and taste across visual culture in the americas.
roberto lugo: alfarero del barrio (village potter) madison square park conservancy , 11 madison avenue, nomad, manhattan
through dec. 6
roberto lugo, “capicú de cariño (i heard it both ways)” in madison square park (photo isa farfan/ hyperallergic ) madison square park is currently home to a towering urn and orange fire hydrant sculptures by philadelphia-based artist, ceramicist, and activist roberto lugo. Painted portraits of pillars of the puerto rican community, including lugo’s parents, gilberto and maribel, and icons such as bad bunny and sonia sotomayor, circle an archway in “capicú de cariño,” inviting visitors at the historic park to reflect on the monumentality of puerto rican heritage.
read isa farfan’s feature
mari nagem: the tropics, the moon, and mars cue art foundation , 137 west 25th street, chelsea, manhattan
through sept. 26
mari nagem, “tropics | moon | mars | es” (2026), acrylic, latex, enamel on canvas (photo leo ng, courtesy cue art) in her first solo exhibition in new york, brazilian artist mari nagem constructs what cue art foundation calls a “post-natural” natural environment — think climate as light, sound, digital experiments, and more. Humans have long dreamt of living on other planets, nagem argues, but look how we fail to live harmoniously on our own.
thucydides fever dream hill art foundation , 239 tenth avenue (third floor), chelsea, manhattan
sept. 16–dec. 19
liu xiaodong, “heavy rain” (1993), oil on canvas (© liu xiaodong; image courtesy the artist) the power of curation comes to the fore in this show, in which a portrait of vladimir lenin by andy warhol meets an impasto landscape by li songsong. That’s one of several provocative encounters staged by curator xin wang, who brings the hill art foundation collection into dialogue with work by contemporary artists, including zhao yao and lu yang, for a richer view of chinese art through global, technological, and geopolitical lenses.
how we work: smack mellon at 30 smack mellon , 92 plymouth street, dumbo, brooklyn
sept. 19–nov. 22
lucia reissig, “todo estaba sucio (everything was dirty)” (2022), five-year hand-sewn archive of rags used in domestic work (image courtesy the artist) smack mellon is throwing its 30th birthday party! This exhibition reprises the nonprofit’s greatest hits, featuring the work of the painting collective the barnstormers, performance artist and filmmaker patty chang, and multi-media artist pat oleszko, who’s having a moment — she recently closed out a solo exhibition at sculpturecenter and won the coveted bucksbaum award for her contribution to this year’s whitney biennial.
goddesses in the machine: fashion in american silent film bard graduate center , 18 west 86th street, upper west side, manhattan
sept. 18–jan. 3, 2027
olaf m. Brauner, “portrait of irene castle” (1922), oil on canvas (image courtesy the johnson museum) hollywood wasn’t always the machine it is today — during the early years of film, the idea of a “costume designer” hadn’t yet emerged. This is the first major exhibition dedicated to fashion in the american silent film industry, bringing together surviving objects, posters, film stills, sketches, photographs, and more.
lisa sanditz: missing mountain alexandre , 25 east 73rd street (second & third floors, buzzer 3), upper east side, manhattan
sept. 18–nov. 7
an artist-in-residence at bard college since 2008, lisa sanditz presents a suite of new paintings and works on paper rendering the landscape of the hudson valley in acid hues. Many works in this exhibition — as its title might suggest — depict the catskills mountain range, hidden in the haze of wildfires. Missing mountain is a love letter to a place, an environmental plea, and a sight for sore eyes.
geometries studio museum of harlem , 144 west 125th street, harlem, manhattan
sept. 10–jan. 31, 2027
daniel larue johnson, “nations” (1976), acrylic on canvas (photo john berens, courtesy studio museum of harlem) if there’s a connecting thread running through the tapestry of art history, it might just be this exhibition’s subject matter: line, shapes, spaces. This group show, featuring artists including sonia boyce, jennie c. Jones, jack whitten, and many others, highlights the ways black artists have engaged with global geometric forms, spanning everything from city maps to sonic vibrations to west african textiles.
afterlives: contemporary art in the byzantine crypt the metropolitan museum of art , 1000 fifth avenue, upper east side, manhattan
oct 4.–Jan. 10, 2027
installation view of afterlives: contemporary art in the byzantine crypt (photo courtesy metropolitan museum of art) there’s no better place to ponder our mortality than in a byzantine crypt at the met, or the gothic chapel at its cloisters annex. This exhibition takes a broader view of death and how we live in relation to it, pairing religious and secular jewelry, objects, and sculpture with contemporary works — including adrian piper’s “everything #4” (2004), an oval mirror that doubles as a memento mori, and a 1981 work from ana mendieta’s amategram series.
angel nevarez & valerie tevere: as far as the ear can hear wave hill public garden and cultural center , 4900 independence avenue, riverdale, the bronx
aug. 29–nov. 29
still from angel nevarez and valerie tevere, “the slow drop” (2026), three-channel hd video, three-channel stereo sound, photographs, duration: 14 minutes, 6 seconds (photo courtesy the artists and wave hill) through video, photography, music, installation, performance, and more, angel nevarez and valerie tevere weave sonic landscapes that draw upon the environments of the bronx, new orleans, and the deserts of sonora. This exhibition includes a piece the pair conceived during their residency at wave hill this past winter about the acclaimed composer arturo toscanini, who lived in the neighborhood during world war ii.
take one action art at a time like this , various sites around lower manhattan and online
september–october (physical), ongoing (online)
marilyn minter, “after guston, #29 (car)” (2025) (photo courtesy art at a time like this) we live in a time of a wrecked economy, loss of faith in institutions, massive inequality — need we go on? Take one action , a digital project and campaign of wheatpaste posters around the lower east side by artists like robert longo, sasha styles, and shawn leonardo, is a call to action to support democratic freedoms and combat widespread fascism, one step at a time.
donald moffett: impeach brooklyn museum , 200 eastern parkway, prospect heights, brooklyn
through april 11, 2027
the year is 1998. The us house of representatives is debating whether or not to impeach president bill clinton, and congressman john lewis is delivering a heartfelt speech about what it means to be a nation. Moffett transforms that moment into an immersive sound installation that considers the survival of a country on its 250th anniversary. |
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| 5mm Live: An Online Platform for Random Video Conversations |
| Posted on Friday, August 28 @ 00:03:08 PDT (3 reads) | |
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5mm live: an online platform for random video conversations
the internet has made communication more accessible than ever. People can now exchange messages, make video calls, join online communities, and communicate with individuals from almost anywhere in the world. While traditional social networking is useful for maintaining existing relationships, many people also enjoy the excitement of discovering conversations with people they have never met.Random video chat offers exactly this kind of experience. 5mm live is associated with this style of online interaction, giving users an opportunity to explore spontaneous conversations with other people through the internet.
a different kind of online social experience
most social platforms are designed around established connections. Users usually know who they want to follow or communicate with before starting an interaction. Random chat removes much of this selection process.
instead of searching for a particular person, users can enter a random conversation and see who they meet.
this makes the experience unpredictable. A participant might encounter someone with similar interests or someone whose background is completely different.
the uncertainty is not a limitation; it is one of the defining characteristics of random chat.
how the random chat concept works
the basic idea behind random video chat is automated matching. Users who are available for communication can be connected with one another without having to manually search through a directory of profiles.
once a connection is made, participants can communicate in real time.
a conversation can focus on almost anything. People may discuss hobbies, entertainment, travel, sports, food, technology, education, gaming, or everyday experiences.
if both participants enjoy the conversation, they can continue. If the interaction is not suitable, the user can leave and explore another conversation.
this flexibility makes random chat different from many other forms of online social networking.
meeting people outside your existing circle
a persons offline social circle is often determined by their location and daily routine. People tend to interact with the same groups at work, school, college, home, or within their local community.
random video chat can introduce a much wider range of people.
users may encounter individuals from different cities, countries, cultures, or professional backgrounds. These conversations can offer small but interesting insights into how other people live.
for example, a discussion about food might introduce a participant to a local dish they have never heard of. A conversation about travel could reveal a destination that was previously unknown to them.
these unexpected discoveries are part of the appeal.
real-time video adds a personal element
video communication provides more information than text alone.
when participants can see one another, facial expressions and body language can add context to spoken words. Hearing a persons voice also makes it easier to understand tone and emotion.
this can create a more natural conversation.
video chat can also help users become more comfortable speaking with unfamiliar people. Instead of carefully composing every written message, participants respond naturally as the conversation develops.
however, the visual nature of video means privacy needs additional attention. Users should check what is visible in the background and avoid displaying private documents, screens, photographs, or other sensitive information.
why people enjoy spontaneous conversations
random chat can be appealing for several reasons.
some users enjoy the entertainment value of meeting someone unexpected. Others may simply want to talk when they have free time.
another attraction is the absence of a requirement to build a large online network. Users can focus on conversations instead of collecting followers or maintaining a public profile.
the experience can therefore feel more direct.
instead of consuming a stream of content, the user becomes an active participant in a live interaction.
discover new perspectives
meeting people with different experiences can broaden a persons understanding of everyday subjects.
participants may have different opinions about movies, music, technology, sports, education, travel, or current trends. Discussing these subjects respectfully can introduce new ideas.
the benefit does not necessarily come from agreeing with another person. Sometimes the most interesting conversations happen when two people have different perspectives but are willing to listen.
random chat creates opportunities for these kinds of unexpected exchanges.
using random chat for communication practice
spontaneous conversations can also provide opportunities to practice communication.
someone who wants to improve their confidence when talking to unfamiliar people may benefit from repeated informal interactions.
language learners can potentially use random video conversations as an additional way to practice speaking and listening. Real-time communication can expose learners to natural pronunciation, everyday expressions, and different accents.
however, users should remember that other participants are not necessarily teachers. Conversations should remain respectful and voluntary.
simple conversation starters
the first few seconds of a random conversation can sometimes be challenging. Fortunately, there is no need for complicated questions.
users can begin by asking about general interests.
music, movies, sports, gaming, books, travel, food, technology, and hobbies are all accessible subjects.
it is often better to ask questions that encourage a detailed response. For example, asking someone about their favorite travel destination can lead to a more interesting discussion than asking only whether they like traveling.
listening is equally important. A conversation becomes more natural when participants respond to what the other person actually says.
staying safe while meeting strangers online
random video chat should always be approached with reasonable caution.
users should protect sensitive personal information. Passwords, financial details, identification documents, private addresses, and confidential work information should never be shared with strangers.
users should also be careful when another participant asks them to click an unfamiliar link, download a file, send money, or provide private information.
it is important to remember that online identities can be difficult to verify.
video conversations may also potentially be recorded. Users should therefore avoid sharing information that could create privacy problems if captured.
when a conversation is not comfortable
not every random interaction will be positive. Users may encounter people with different communication styles or inappropriate behavior.
if a participant becomes offensive, threatening, abusive, or otherwise uncomfortable, the user should leave the conversation.
if the platform provides reporting or blocking options, these features can be
stranger chatused when appropriate.
users should also respect the boundaries of others. A person who wants to end a conversation should be allowed to leave without pressure.
creating a better random
stranger chatchat experience
a good technical setup can make conversations easier.
users should check their microphone and camera before beginning. A stable internet connection can help prevent interruptions.
a quiet environment and suitable lighting can also improve video quality.
beyond technology, attitude matters. Approaching conversations with curiosity rather than unrealistic expectations can make the experience more enjoyable.
some conversations will be brief. Others may become surprisingly engaging. Both outcomes are normal for a random chat platform.
the difference between random chat and social media
traditional social media emphasizes long-term connections. Users create profiles, follow people, publish content, and interact repeatedly.
random video chat focuses more on the present moment.
the objective is not necessarily to build a permanent network. Instead, it is to discover a conversation and communicate with another person in real time.
this difference makes random chat an alternative for users who want a less curated online experience.
the growing popularity of spontaneous digital communication
technology continues to make video communication easier and more accessible. Faster internet connections and improved devices have made real-time communication a normal part of online life.
random video chat builds on this development by adding automated matching.
instead of deciding exactly who to communicate with, users can allow the platform to introduce them to someone new.
this combination of video and randomness creates a distinctive form of digital social interaction.
conclusion
5mm live is associated with the concept of random video chat, providing an opportunity to discover new people and participate in spontaneous online conversations.
the format can appeal to users who enjoy casual socializing, meeting people from different backgrounds, exploring unfamiliar perspectives, practicing communication skills, or simply experiencing something different from traditional social media.
its defining feature is unpredictability. Each new conversation can bring a different person and a different topic.
at the same time, privacy and responsible behavior should remain priorities. Users should avoid sharing sensitive information, remain cautious about suspicious requests, respect personal boundaries, and leave inappropriate conversations.
as the internet continues to transform how people communicate, random video chat represents one of the many ways technology can create unexpected opportunities for human connection. |
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| How the High End of UNCs Roster Matches Up Nicely With the Nations Best |
| Posted on Friday, August 28 @ 00:03:08 PDT (3 reads) | |
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Jonathan wasserman released his 2027 nba draft big board on tuesday for bleacher report, which featured the top 100 projected players in consideration to be selected.
the list is not an exact indicator of which teams will be successful in the 2026-27 college basketball season. Some of the top players in the collegiate game never make their mark in the pros, meaning the two levels can have more contrasts than comparisons.
while college coaches want older teams, pro scouts are looking for younger phenoms with high ceilings. Their take is a 22-year-old is what he is, and isnt much different than what he will be at 25. On the other hand, an 18-year-old player probably wont resemble what he can be in seven or eight years. The first six entries on the list are teenagers, as are nine of the first 11.
that is why the transfer portal and returners to the program are so important. Terrence brown and jarin stevenson are crucial for a college program. Each one has a great opportunity to be one of the better players in the country, but that doesnt necessarily resonate into draft spots for fourth and fifth year players.
tarheel247 75% off fall football kickoff/labor day sale
but that is even more reason to be optimistic about carolina. The tar heels have four players featured inside the 60 draft spots, and that doesnt include brown, stevenson, or even alexondros samodurov, who could all be difference makers.
that is a solid seven. But to give a better indication of how the high end of the unc roster fares with other programs across the country, we thought it would be interesting to use this list as a gauge. So, we took each player listed and gave them a point value. The top player gets one hundred points - all the way through to the no. 100 ranked player - who gets one point.
tar heel nation may be surprised how competitive their team actually is with others who are getting lots of top-10 love among national analysts in their different preseason predictions.
no. 1 – arkansas (395 points)
john calipari is maybe best known for putting players in the nba. This roster does not expect to disappoint. Not only does he have quality with five players on the list, the razorbacks also easily lead the point total with 395.
the excellence on the top end is legitimate. Jordan smith jr. Is currently projected with the no. 2 overall pick, followed by jj andrews at no. 5. Miikka muurinen is also considered a first round talent at no. 22, as is abdou toure at no. 25. Billy richmond is last at no. 54, but not least with second round buzz.
arkansas also visits the dean smith center on december 1 to face unc in the sec/acc challenge.
no. 2 – duke (342)
duke is second on the list. Bryson howard is named inside the lottery at no. 10. Patrick ngongba falls just inside the back end at no. 13. Cameron williams is named with the no. 23 pick. Dame sarr gets second round mention at no. 40. John blackwell is named outside of the first two rounds, but inside the top 100 at no. 77. The tar heels and the blue devils will face off twice this coming season in acc conference play.
no. 3 – uconn (296)
the huskies are another program that are used to being toward the top of this list in recent years and, this time around, they have two players getting lottery consideration. Braylon mullins comes in at no. 7 with colben landrew just behind him in 11th position. Najai hines also has first round talent at no. 24. Nikolas khamenia is listed, but he falls just outside of the first two rounds at no. 66.
no. 4 – illinois (286)
the race is tight between third and fifth place. Illinois comes in at the fourth spot thanks to quantity. It has seven players on the list in all, but four of them fall outside the two rounds of the draft. Quentin coleman is the only first round player at no. 19. David mirkovic and stefan vaaks come in back to back at no. 42 and 43. Louis morillo is one spot outside the draft window at no. 61. Andrej stojakovic is a familiar name at no. 75. The ivisic brothers, zvonimir and tomislav, worked their way just inside the back end at no. 89 and no. 92, respectively.
the tar heels and fighting illini will both travel to nashville for a neutral site meeting at bridgestone arena on january 30.
no. 5 – arizona (275)
the wildcats made it to the national championship game last year, and once again they are all about professional type of players. All three of their entrants are featured as first round talents. Two are in the lottery. Caleb holt makes his way into the list as the no. 3 prospect, as well as the third highest freshman behind tyran stokes at kansas, and jordan smith jr. At arkansas. Motejus krivas is the oldest player listed inside the lottery at 21 years of age. He is no. 9 while ivan kharchenkov stands in the middle of the first round at no. 16.
no. 6 – north carolina (230)
although the tar heels have been outside the top-25 in many way too early preseason predictions, they fare quite nicely when it comes to the top players on the roster. Only three teams have more participants on wassermans nba draft big board. Granted, none of them are getting lottery talk as far as this list goes, but it has been 14 years since north carolina had four players taken in the same draft. That group featured harrison barnes, kendall marshall, john henson, and tyler zeller. The 2011 and 2012 unc teams combined for a 61-14 record and a pair of elite eight appearances.
north carolinas current squad consists of maximo adams at no. 30, which is the last spot in the first round. Matt able stands in the middle of the second round picks at no. 45 while sayon keita comes in right behind him at no. 46. Virginia tech transfer neoklis avdalas rounds out the quartet at no. 53.
no. 7 – florida (188)
the gators have had as much talent as anyone the past two years, and it shouldnt be any different in 2026-27. Thomas haugh has been around gainesville forever. But this time, wasserman has the 23-year old listed just inside the first round at no. 27. Alex condon has a lot of similarities to haugh. The post player is 22 years old and currently stands at no. 36. Rueben chinyelu makes it a perfect three for three for older big men. The 22-year old center was one of the top rebounders and shot blockers in the country last season. He stands at no. 53.
no. 8 – michigan (184)
the wolverines are four points behind the gators. The defending national champions are led by brandon mccoy at the 20th spot. There are two others who currently fall within the second round window. Trey mckinney is no. 44 and moustapha thiam is no. 55.
no. 9 – kentucky (145)
malachi moreno returns to kentucky for his second year. The 7-foot-1 sophomore is listed early in the second round at no. 33. Milan momcilovic was a big get from iowa state after not getting first round projections last spring. He isnt this time around, either, sitting at no. 47. Zoom diallo is outside the draft range at no. 78. North carolina and kentucky will square off again in the battle of the bluest of bloods in madison square garden on december 19.
no. 10 – gonzaga (138)
the zags have two players in the late first round/early second round range. Davis fogel is no. 29 and massamba diop is no. 35. |
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| NYITCOM at A-State receives $1.5 million grant |
| Posted on Friday, August 28 @ 00:03:08 PDT (3 reads) | |
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Gov. Sarah sanders announced thursday (aug. 27) that new york institute of technology college of osteopathic medicine at arkansas state university (nyitcom at a-state) has received a $1.5 million grant through the pact phase of the state’s rural health transformation program (rhtp).
pact is an acronym for promoting access, coordination, and transportation. Nyitcom at a-state will utilize the funds to create the “mobile health unit maternal health and education access initiative,” which will operate through the medical school’s delta population health institute (dphi).
the program will extend nyitcom at a-state’s clinical services focused on rural maternal healthcare access through mobile healthcare delivery, patient-centered transportation, telehealth-enabled specialty consultation, and obstetric workforce development to improve access to quality services for women in mississippi and poinsett counties.
“we are so grateful to gov. Sanders and her team for entrusting us with these funds that will make a significant impact in our ability to help mothers and children in the most medically-underserved portions of our state,” said dr. Shane speights, dean of nyitcom at a-state. “We are humbled by the opportunity to serve through this initiative, and we’re excited to see the impact this work will have in areas where it is so desperately needed.”
nyitcom at a-state will use a portion of the funds to purchase a mobile maternal health unit similar to the delta care-a-van the dphi has operated since 2019. The mobile unit will hold clinics throughout mississippi and poinsett counties where new and expectant mothers will have access to care that has previously been unavailable.
additionally, nyitcom at a-state will purchase and staff two passenger transportation vehicles to help northeast arkansas residents travel to receive specialty care that is inaccessible in the state’s more rural regions. The program will also utilize telehealth visits to eliminate transportation barriers.
since 2023, the dphi has operated a maternal health learning and care communities initiative, which was funded by the arkansas minority health commission. Through that program, the dphi established footprints in poinsett county and mississippi county, and feedback the dphi received through those programs helped shape the framework for the new initiative that received rhtp funding.
“our previous efforts have provided valuable insight into the barriers that continue to affect maternal health across the delta,” said dr. Brookshield laurent, nyitcom’s associate dean for population and public health and executive director of the dphi.
“these women frequently experience limited access to obstetrical providers, have transportation challenges, face long travel distances to specialty care, and there is a shortage of maternal healthcare services. This new initiative will address each of those areas and also help prepare healthcare professionals to better respond to obstetric emergencies and provide quality care to postpartum patients. These significant needs bring tremendous opportunity, and we’re thrilled to be able to play a role in addressing them.”
nyitcom at a-state has previously announced plans to open a family medicine residency program through the mississippi county hospital system in blytheville. The program will heavily incorporate obstetrics training, and the residents and program faculty will be heavily involved in the newly-funded maternal health initiative.
“having medical students and residents in these rural communities will be vital to increasing access, and the training these doctors and doctors-to-be will receive will be invaluable to their education,” said dr. Amanda deel, nyitcom’s associate dean of graduate medical education. “We’re training the next generation of physicians to be able to address these needs and also develop a passion for doing so.”
nyitcom at a-state opened in 2016 through a private-public partnership between new york institute of technology on long island and arkansas state university. Nyitcom at a-state operates out of wilson hall on a-state’s jonesboro campus and became just the second medical school established in arkansas when it opened its doors 10 years ago.
“projects like the one we’ve announced today are at the core of who we are,” speights said. “Our medical school is led largely by a group of arkansans that are passionate about improving the quality and quantity of life in our state, and there’s no better way to do so than through groundbreaking initiatives like this one. We couldn’t be happier about the opportunity at hand.” |
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| Lemoore College launches free transit program to help students get to class and |
| Posted on Friday, August 28 @ 00:03:08 PDT (4 reads) | |
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Lemoore, calif. (Kfsn) -- lemoore college is removing one of the biggest barriers to higher education for some students by offering free public transportation through a new partnership with kings area regional transit, or kart.
for many college students, the cost of attending school extends beyond tuition and textbooks.
transportation can also create a financial burden, especially for students traveling from surrounding communities.
student devin cardenas knows that challenge firsthand.
i live in avenal, so i have to come a bit away, probably 40 minutes drive, cardenas said.
kart already provided a route between avenal and lemoore college, but the cost of repeated trips added up quickly.
i would be spending $1.75 to go here, cardenas said. So that would be back and forth, $3.50 every day.
he traveled to school four days a week, so the cost quickly added up.
while working toward his ged, cardenas received transit passes through student support services, but those benefits had to be renewed regularly.
now, a new agreement between lemoore college and kart allows all enrolled students to ride fixed-route buses free of charge simply by showing their student identification card.
they just come get a student id card, and on there, theres a kart emblem on the side, said lemoore college president james preston. They literally walk onto the kart bus, show them a lemoore college id. It doesnt matter if theyre taking one class or full-time with us; it gives them that access to kart.
college officials say the benefit is designed to support students both academically and personally. In addition to transportation to and from classes, students can use the service to reach jobs, medical appointments, grocery stores and other destinations throughout the area.
for cardenas, the program represents more than financial savings. He believes it may encourage people who stopped going to college to return.
i think its amazing that lemoore college even offered this, he said. A lot of people need it.
college leaders hope the free transportation program will improve access to education and help students stay enrolled by eliminating a common obstacle.
the initiative is currently operating as a one-year pilot program funded through an endowment. Lemoore college officials said they will evaluate the programs impact before deciding whether to extend it beyond the initial year.
for news updates, follow jessica harrington on facebook, x and instagram. |
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| Lemoore College launches free transit program to help students get to class and |
| Posted on Friday, August 28 @ 00:03:08 PDT (3 reads) | |
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Abc30 action news lemoore college launches free transit program to help students get to class and beyond jessica harrington fri, august 28, 2026 at 1:24 am utc 2 min read add yahoo as a preferred source to see more of our stories on google.
lemoore college launches free transit program to help students get to class and beyond lemoore college is removing one of the biggest barriers to higher education for some students by offering free public transportation through a new partnership with kings area regional transit, or kart.
for many college students, the cost of attending school extends beyond tuition and textbooks.
transportation can also create a financial burden, especially for students traveling from surrounding communities.
advertisement advertisement student devin cardenas knows that challenge firsthand.
i live in avenal, so i have to come a bit away, probably 40 minutes drive, cardenas said.
kart already provided a route between avenal and lemoore college, but the cost of repeated trips added up quickly.
i would be spending $1.75 to go here, cardenas said. So that would be back and forth, $3.50 every day.
he traveled to school four days a week, so the cost quickly added up.
while working toward his ged, cardenas received transit passes through student support services, but those benefits had to be renewed regularly.
now, a new agreement between lemoore college and kart allows all enrolled students to ride fixed-route buses free of charge simply by showing their student identification card.
advertisement advertisement they just come get a student id card, and on there, theres a kart emblem on the side, said lemoore college president james preston. They literally walk onto the kart bus, show them a lemoore college id. It doesnt matter if theyre taking one class or full-time with us; it gives them that access to kart.
college officials say the benefit is designed to support students both academically and personally. In addition to transportation to and from classes, students can use the service to reach jobs, medical appointments, grocery stores and other destinations throughout the area.
for cardenas, the program represents more than financial savings. He believes it may encourage people who stopped going to college to return.
i think its amazing that lemoore college even offered this, he said. A lot of people need it.
advertisement advertisement college leaders hope the free transportation program will improve access to education and help students stay enrolled by eliminating a common obstacle.
the initiative is currently operating as a one-year pilot program funded through an endowment. Lemoore college officials said they will evaluate the programs impact before deciding whether to extend it beyond the initial year.
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